Bath,Somerset 28th May 2019

On Tuesday the 28th of May 2019 we drove to Bath in Somerset for a look around the city, we parked in the Avon Street Car Park and then made our way up St James Street.

Bath is the largest city in the county of Somerset.

The city became a spa with the Latin name Aquae Sulis ("the waters of Sulis") c. 60 AD when the Romans built baths and a temple in the valley of the River Avon, although hot springs were known even before then.

Bath Abbey was founded in the 7th century and became a religious centre; the building was rebuilt in the 12th and 16th centuries. In the 17th century, claims were made for the curative properties of water from the springs, and Bath became popular as a spa town in the Georgian era. Georgian architecture, crafted from Bath stone, includes the Royal Crescent, Circus, Pump Room and Assembly Rooms where Beau Nash presided over the city's social life from 1705 until his death in 1761. Many of the streets and squares were laid out by John Wood, the Elder, and in the 18th century the city became fashionable and the population grew. Jane Austen lived in Bath in the early 19th century. Further building was undertaken in the 19th century and following the Bath Blitz in World War II.

The city has software, publishing and service-oriented industries. Theatres, museums and other cultural and sporting venues have helped make it a major centre for tourism, with more than one million staying visitors and 3.8 million day visitors to the city each year.

There are several museums including the Museum of Bath Architecture, the Victoria Art Gallery, the Museum of East Asian Art, the Herschel Museum of Astronomy and the Holburne Museum. The city has two universities – the University of Bath and Bath Spa University – with Bath College providing further education. Sporting clubs include Bath Rugby and Bath City F.C.

We made our way to Bath Abbey, the entrance fee put us off from going in for a look about though.

Bath Abbey was founded in the 7th century, it was reorganised in the 10th century and rebuilt in the 12th and 16th centuries; major restoration work was carried out by Sir George Gilbert Scott in the 1860s. It is one of the largest examples of Perpendicular Gothic architecture in the West Country. The cathedral was consolidated to Wells Cathedral in 1539 after the abbey was dissolved in the Dissolution of the Monasteries, but the name of the diocese has remained unchanged.

The church is cruciform in plan, and able to seat 1,200. An active place of worship, it also hosts civic ceremonies, concerts and lectures. There is a heritage museum in the vaults.

The abbey is a Grade I listed building, particularly noted for its fan vaulting. It contains war memorials for the local population and monuments to several notable people, in the form of wall and floor plaques and commemorative stained glass. The church has two organs and a peal of ten bells. The west front includes sculptures of angels climbing to heaven on two stone ladders.

Roman Baths entrance

The Roman Baths complex is a site of historical interest in the English city of Bath. It is a well-preserved Roman site once used for public bathing.

The Roman Baths themselves are below the modern street level. There are four main features: the Sacred Spring, the Roman Temple, the Roman Bath House and the museum, holding finds from Roman Bath. The buildings above street level date from the 19th century.

The Baths are a major tourist attraction and, together with the Grand Pump Room, receive more than one million visitors a year. Visitors can tour the baths and museum but cannot enter the water.

Inside The Roman Baths

The water which bubbles up from the ground at Bath falls as rain on the nearby Mendip Hills. It percolates down through limestone aquifers to a depth of between 2,700 and 4,300 metres (8,900 and 14,100 ft) where geothermal energy raises the water temperature to between 69 and 96 °C (156.2 and 204.8 °F). Under pressure, the heated water rises to the surface along fissures and faults in the limestone. This process is similar to an enhanced geothermal system, which also makes use of the high pressures and temperatures below the earth's crust. Hot water at a temperature of 46 °C (114.8 °F) rises here at the rate of 1,170,000 litres (257,364 imp gal) every day, from a geological fault (the Pennyquick fault). In 1983 a new spa water bore-hole was sunk, providing a clean and safe supply of spa water for drinking in the Pump Room.

Archaeological evidence indicates that the site of the baths may have been a centre of worship used by Celts; the springs were dedicated to the goddess Sulis, whom the Romans identified with Minerva. Geoffrey of Monmouth in his largely fictional Historia Regum Britanniae describes how in 836 BC the spring was discovered by the British king Bladud who built the first Moorish baths. Early in the 18th century Geoffrey's obscure legend was given great prominence as a royal endorsement of the waters' qualities, with the embellishment that the spring had cured Bladud and his herd of pigs of leprosy through wallowing in the warm mud.

Bath was charged with responsibility for the hot springs in a Royal Charter of 1591 granted by Elizabeth I. This duty has now passed to Bath and North East Somerset Council, who carry out monitoring of pressure, temperature and flow rates. The thermal waters contain sodium, calcium, chloride and sulphate ions in high concentrations.

We had a wander about the many shops and tried to find our way to the Queen Square and The Crescent, not easy to find our way around the city.

We made our way down to the River Avon,  was expecting something more picturesque. Maybe it was elsewhere!

We made our way up Southgate Street and then onto Stall Street where we popped into the Roman Baths Gift Shop.

After a few more roads we made our way to Queen Square.

Queen Square is a square of Georgian houses in the city of Bath, England. Queen Square is the first element in "the most important architectural sequence in Bath", which includes the Circus and the Royal Crescent. All of the buildings which make up the square are Grade I listed.

The original development was undertaken by John Wood, the Elder in the early 18th century. He designed the building frontages following the rules of Palladian architecture and then sub-let to individual builders to put up the rest of the buildings. The obelisk in the centre of the square, of which Wood was “inordinately proud”, was erected by Beau Nash in 1738 in honour of Frederick, Prince of Wales.

Queen Square was the first speculative development by the architect John Wood, the Elder, who later lived in a house on the square.

Wood set out to restore Bath to what he believed was its former ancient glory as one of the most important and significant cities in Britain. In 1725 he developed an ambitious plan for his home town:

I began to turn [his] thoughts towards the improvement of the city by building.

Wood's grand plans for Bath were consistently hampered by the Corporation (council), churchmen, landowners and moneymen. Instead he approached Robert Gay, a barber surgeon from London, and the owner of the Barton Farm estate in the Manor of Walcot, outside the city walls. On these fields Wood established Bath’s architectural style, the basic principles of which were copied by all those architects who came after him.

Queen Square is a key component of Wood's vision for Bath. Named in honour of Queen Caroline, wife of George II, it was intended to appear like a palace with wings and a forecourt to be viewed from the south side:

North side: Numbers 21-27 make up the north side, which was described by Nikolaus Pevsner as "one of the finest Palladian compositions in England before 1730".

West side: the west side (numbers 14–18 and 18A, 19 & 20) was designed by John Pinch in 1830 and differs from Wood's original design as the central block is in Neo-Grecian style. 

We made our way up Royal Avenue to The Crescent.

The Royal Crescent is a row of 30 terraced houses laid out in a sweeping crescent in the city of Bath, England. Designed by the architect John Wood, the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a Grade I listed building. Although some changes have been made to the various interiors over the years, the Georgian stone façade remains much as it was when first built.

The 500-foot-long (150 m) crescent has 114 Ionic columns on the first floor with an entablature in a Palladian style above. It was the first crescent of terraced houses to be built and an example of "rus in urbe" (the country in the city) with its views over the parkland opposite.

Many notable people have either lived or stayed in the Royal Crescent since it was built over 240 years ago, and some are commemorated on special plaques attached to the relevant buildings. Of the crescent's 30 townhouses, 10 are still full-size townhouses; 18 have been split into flats of various sizes; one is the No. 1 Royal Crescent museum and the large central house at number 16 is the Royal Crescent Hotel & Spa.

The street that is known today as "The Royal Crescent" was originally named "The Crescent." It is claimed that the adjective "Royal" was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had stayed there. He initially rented number one and later bought number 16.

We walked through Royal Victoria Park back into the city centre.

On Union Street we passed the Royal National Hospital for Rheumatic Diseases.

From the 16th century the needs of the "deserving poor" who came to take the healing waters of the Roman Baths were recognised and an act of 1597 gave them the right to free use of the waters. This attracted beggars and, although the act was repealed in 1714, large numbers of people were still attracted to the city and St John's Hospital was only accessible to local residents. Plans were suggested for a hospital to receive them in 1716 with supporters which included Lady Elizabeth Hastings, Henry Hoare, Joseph Jekyll, William Oliver and Beau Nash.

The hospital was founded in 1738 as The Mineral Water Hospital. It provided care for the impoverished sick who were attracted to Bath because of the supposed healing properties of the mineral water from the spa. The original building, which was designed by John Wood the Elder, was built with Bath stone donated by Ralph Allen and completed in 1742. It was later enlarged, firstly in 1793 by the addition of an attic storey and later in 1860 by a second building erected on the west side of the earlier edifice. There is a fine pediment, in Bath stone, on the 1860 building depicting the parable of the Good Samaritan.

The hospital possesses a number of interesting oil paintings, in particular a picture of Dr Oliver and Mr Peirce examining three patients in 1741.

In 1993, it became an NHS Foundation Trust, specialising in Rheumatic Disease and Rehabilitation, which received a 3 star rating in 2005. The hospital had a large brain injury rehabilitation service with separate units for adults, adolescents and children; this service closed in March 2013 as a result of financial pressures.

The hospital was named by the Health Service Journal as the best acute specialist trust to work for in 2015. At that time it had 208 full-time equivalent staff and a sickness absence rate of 3.18%. 91% of staff recommend it as a place for treatment and 79% recommended it as a place to work.

We made our way back to the car and had a great day out in this lovely city.

Wells,Somerset 26th May 2019

On the 26th May 2019 after a visit to Wookey Hole Caves, we decided to visit Wells as its just a couple of miles up the road.We parked in the Whiting way car park next to Waitrose and parked into the centre from there.

Wells has had city status since medieval times, because of the presence of Wells Cathedral. Often described as England's smallest city,it is actually second smallest to the City of London in area and population, but unlike London it is not part of a larger urban agglomeration.

Wells is named from three wells dedicated to Saint Andrew, one in the market place and two within the grounds of the Bishop's Palace and cathedral. A small Roman settlement surrounded them, which grew in importance and size under the Anglo-Saxons when King Ine of Wessex founded a minster church there in 704. The community became a trading centre based on cloth making and Wells is notable for its 17th-century involvement in both the English Civil Warand Monmouth Rebellion. In the 19th century, transport infrastructure improved with stations on three different railway lines. However, since 1964 the city has been without a railway link.

The cathedral and the associated religious and medieval architectural history provide much of the employment. The city has a variety of sporting and cultural activities and houses several schools including The Blue School, a state coeducational comprehensive school that was founded in 1641, and the independent Wells Cathedral School, that was founded possibly as early as 909 and is one of the five established musical schools for school-age children in the United Kingdom. Wells' historic architecture has led to the city being used as a shooting location for numerous films and television programmes.

We enter the gateway to Wells Cathedral.

Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle and seat of the Bishop of Bath and Wells, whose throne or cathedra it holds as mother church of the diocese. Built between 1175 and 1490 to replace an earlier church on the site since 705, it is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features in the city and countryside. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals. Its Gothic architecture is mostly in the Early English style of the late 12th–early 13th centuries, lacking the Romanesque work that survives in many other cathedrals. Building began about 1175 at the east end with the choir.

 Historian John Harvey sees it as Europe's first truly Gothic structure, breaking with the last constraints of Romanesque. The stonework of its pointed arcades and fluted piers bears pronounced mouldings and carved capitals in a foliate, "stiff leaf" style. Its Early English front with 300 sculpted figures, is described as a "supreme triumph of the combined plastic arts in England". The east end retains a rare amount of ancient stained glass. Unlike many cathedrals of monastic foundation, Wells has many surviving secular buildings linked to its chapter of secular canons, including the Bishop's Palace and the 15th-century residential Vicars' Close.

Wells has a total length of 415 feet (126 m). In common with Canterbury, Lincoln and Salisbury cathedrals, it has the distinctly English arrangement of two transepts, with the body of the church divided into distinct parts: nave, choir, and retro-choir, beyond which extends the Lady Chapel. The façade is wide, with its towers extending beyond the transepts on either side. There is a large projecting porch on the north side of the nave forming an entry into the cathedral. To the north-east is the large octagonal chapter house, entered from the north choir aisle by a passage and staircase. To the south of the nave is a large cloister, unusual in that the northern range, that adjacent the cathedral, was never built.

The horizontal line of the nave is emphasised by the unbroken galleries, the string courses and the strongly projecting foliage of the capitals.

St Andrew's Cross arches under the tower

We leave the Cathedral and walk into the town a short way.

Here we walk into The Bishops Palace, we enter the grounds but there is a charge to enter.

The Bishop's Palace and accompanying Bishops House at Wells in the English county of Somerset, is adjacent to Wells Cathedral and has been the home of the Bishops of the Diocese of Bath and Wells for 800 years. It has been designated by English Heritage as a Grade I listed building.

Building of the palace started around 1210 by Bishops Jocelin of Wells and Reginald Fitz Jocelin. The chapel and great hall were added by Bishop Robert Burnell between 1275 and 1292. The walls, gatehouse and moat were added in the 14th century by Bishop Ralph of Shrewsbury. The Bishops House was added in the 15th century by Bishop Thomas Beckington. The great hall later fell into disrepair and was partially demolished around 1830.

The palace was originally surrounded by a medieval deer park. When the walls were built, streams were diverted to form the moat as a reservoir. In the 1820s, the grounds within the walls were planted and laid out as pleasure grounds by Bishop George Henry Law, who created a reflecting pond near the springs. Parts of the buildings are still used as a residence by the current bishop, however much of the palace is now used for public functions and as a tourist attraction.

Construction began around 1210 by Bishop Jocelin of Wells but principally dates from 1230. Bishop Jocelin continued the cathedral building campaign begun by Bishop Reginald Fitz Jocelin, and was responsible for building the Bishop's Palace, as well as the choristers' school, a grammar school, a hospital for travellers and a chapel within the liberty of the cathedral. He also built a manor house at Wookey, near Wells. The chapel and great hall were built between 1275 and 1292 for Bishop Robert Burnell. The windows had stone tracery. Stone bosses where the supporting ribs meet on the ceiling are covered with representations of oak leaves and the Green Man. The building is seen as a fine example of the Early English architectural style.

In the 14th century, Bishop Ralph of Shrewsbury continued the building. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and surrounded his palace with crenellated walls, a moat and a drawbridge. The 5 metres (16 ft) high three-storey gatehouse, which dates from 1341, has a bridge over the moat. The entrance was protected by a heavy gate, portcullis and drawbridge, operated by machinery above the entrance, and spouts through which defenders could pour scalding liquids onto any attacker. The drawbridge was still operational in 1831 when it was closed after word was received that the Palace of the Bishop of Bristol was subject to an arson attack during the Bristol riots. These took place after the House of Lords rejected the second Reform Bill. The proposal had aimed to get rid of some of the rotten boroughs and give Britain's fast growing industrial towns such as Bristol, Manchester, Birmingham, Bradford and Leeds greater representation in the House of Commons; however there was no rioting in Wells. The water which filled the moat flowed from the springs in the grounds which had previously chosen its own course as a small stream separating the cathedral and the palace and causing marshy ground around the site. The moat acted as a reservoir, controlled by sluice gates, which powered watermills in the town.

The north wing (now the Bishop's House) was added in the 15th century by Bishop Beckington, with further modifications in the 18th century, and in 1810 by Bishop Beadon.] It was restored, divided, and the upper storey added by Benjamin Ferrey between 1846 and 1854. Following the Dissolution of the Monasteries in 1548, Bishop Barlow sold Edward Seymour, 1st Duke of Somerset the palace and grounds. These were recovered after the Duke's execution in 1552.

In the 1550s, Bishop Barlow sold the lead from the roofs of the great hall. It can be seen in an engraving of 1733 but was largely demolished around 1830 by Bishop Law. He created a "more picturesque ruin" by removing the south and east walls and laying out and planting the area previously occupied by the great hall. The palace was used as a garrison for troops in both the English Civil War and Monmouth Rebellion after which it was used as a prison for rebels after the Battle of Sedgemoor.

Bishop Kidder was killed during the Great Storm of 1703, when two chimney stacks in the palace fell on him and his wife, while they were asleep in bed. A central porch was added around 1824 and, in the 1840s and 1850s, Benjamin Ferrey restored the palace and added an upper storey. He also restored the chapel using stained glass from ruined French churches.

In 1953, it was designated as a Grade I listed building. In February 2008, the poet laureate of the United Kingdom, Andrew Motion, was commissioned by the BBC West television programme Inside Out West to write a poem in Harry Patch's honour. Entitled "The Five Acts of Harry Patch" it was first read at a special event at the Bishop's Palace, where it was introduced by the Prince of Wales and received by Harry Patch.

The palace is a two-storey building of seven bays, with three gables over alternating bays, two of which are supported by buttresses. There is an attic beneath the coped gables and surmounted by octagonal chimney stacks. The interior is laid out with a hall, solar and gallery with an undercroft. It has flagstone floors and a 16th-century stone fireplace.

To the right of the building is an aisless chapel in the early Decorated Gothic style of the late 13th century, built of local stone with Doulting Stone dressings. The remains of the 13th century great hall are the north wall and some column bases of an internal arcade, indicating that it was a five bayed aisled hall with crenellations and tall windows in the Decorated Gothic style.

After a quick look about the city shops, we made our way back to the car and back to the caravan site in Berrow Sands.