Showing posts with label Wells Cathedral. Show all posts
Showing posts with label Wells Cathedral. Show all posts

Sunday, 2 June 2019

Wells,Somerset 26th May 2019

On the 26th May 2019 after a visit to Wookey Hole Caves, we decided to visit Wells as its just a couple of miles up the road.We parked in the Whiting way car park next to Waitrose and parked into the centre from there.

Wells has had city status since medieval times, because of the presence of Wells Cathedral. Often described as England's smallest city,it is actually second smallest to the City of London in area and population, but unlike London it is not part of a larger urban agglomeration.


Wells is named from three wells dedicated to Saint Andrew, one in the market place and two within the grounds of the Bishop's Palace and cathedral. A small Roman settlement surrounded them, which grew in importance and size under the Anglo-Saxons when King Ine of Wessex founded a minster church there in 704. The community became a trading centre based on cloth making and Wells is notable for its 17th-century involvement in both the English Civil Warand Monmouth Rebellion. In the 19th century, transport infrastructure improved with stations on three different railway lines. However, since 1964 the city has been without a railway link.

The cathedral and the associated religious and medieval architectural history provide much of the employment. The city has a variety of sporting and cultural activities and houses several schools including The Blue School, a state coeducational comprehensive school that was founded in 1641, and the independent Wells Cathedral School, that was founded possibly as early as 909 and is one of the five established musical schools for school-age children in the United Kingdom. Wells' historic architecture has led to the city being used as a shooting location for numerous films and television programmes.

We enter the gateway to Wells Cathedral.







Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle and seat of the Bishop of Bath and Wells, whose throne or cathedra it holds as mother church of the diocese. Built between 1175 and 1490 to replace an earlier church on the site since 705, it is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features in the city and countryside. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals. Its Gothic architecture is mostly in the Early English style of the late 12th–early 13th centuries, lacking the Romanesque work that survives in many other cathedrals. Building began about 1175 at the east end with the choir.
 Historian John Harvey sees it as Europe's first truly Gothic structure, breaking with the last constraints of Romanesque. The stonework of its pointed arcades and fluted piers bears pronounced mouldings and carved capitals in a foliate, "stiff leaf" style. Its Early English front with 300 sculpted figures, is described as a "supreme triumph of the combined plastic arts in England". The east end retains a rare amount of ancient stained glass. Unlike many cathedrals of monastic foundation, Wells has many surviving secular buildings linked to its chapter of secular canons, including the Bishop's Palace and the 15th-century residential Vicars' Close.

Wells has a total length of 415 feet (126 m). In common with Canterbury, Lincoln and Salisbury cathedrals, it has the distinctly English arrangement of two transepts, with the body of the church divided into distinct parts: nave, choir, and retro-choir, beyond which extends the Lady Chapel. The façade is wide, with its towers extending beyond the transepts on either side. There is a large projecting porch on the north side of the nave forming an entry into the cathedral. To the north-east is the large octagonal chapter house, entered from the north choir aisle by a passage and staircase. To the south of the nave is a large cloister, unusual in that the northern range, that adjacent the cathedral, was never built.



The horizontal line of the nave is emphasised by the unbroken galleries, the string courses and the strongly projecting foliage of the capitals.
St Andrew's Cross arches under the tower
We leave the Cathedral and walk into the town a short way.

Here we walk into The Bishops Palace, we enter the grounds but there is a charge to enter.



The Bishop's Palace and accompanying Bishops House at Wells in the English county of Somerset, is adjacent to Wells Cathedral and has been the home of the Bishops of the Diocese of Bath and Wells for 800 years. It has been designated by English Heritage as a Grade I listed building.

Building of the palace started around 1210 by Bishops Jocelin of Wells and Reginald Fitz Jocelin. The chapel and great hall were added by Bishop Robert Burnell between 1275 and 1292. The walls, gatehouse and moat were added in the 14th century by Bishop Ralph of Shrewsbury. The Bishops House was added in the 15th century by Bishop Thomas Beckington. The great hall later fell into disrepair and was partially demolished around 1830.

The palace was originally surrounded by a medieval deer park. When the walls were built, streams were diverted to form the moat as a reservoir. In the 1820s, the grounds within the walls were planted and laid out as pleasure grounds by Bishop George Henry Law, who created a reflecting pond near the springs. Parts of the buildings are still used as a residence by the current bishop, however much of the palace is now used for public functions and as a tourist attraction.



Construction began around 1210 by Bishop Jocelin of Wells but principally dates from 1230. Bishop Jocelin continued the cathedral building campaign begun by Bishop Reginald Fitz Jocelin, and was responsible for building the Bishop's Palace, as well as the choristers' school, a grammar school, a hospital for travellers and a chapel within the liberty of the cathedral. He also built a manor house at Wookey, near Wells. The chapel and great hall were built between 1275 and 1292 for Bishop Robert Burnell. The windows had stone tracery. Stone bosses where the supporting ribs meet on the ceiling are covered with representations of oak leaves and the Green Man. The building is seen as a fine example of the Early English architectural style.

In the 14th century, Bishop Ralph of Shrewsbury continued the building. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and surrounded his palace with crenellated walls, a moat and a drawbridge. The 5 metres (16 ft) high three-storey gatehouse, which dates from 1341, has a bridge over the moat. The entrance was protected by a heavy gate, portcullis and drawbridge, operated by machinery above the entrance, and spouts through which defenders could pour scalding liquids onto any attacker. The drawbridge was still operational in 1831 when it was closed after word was received that the Palace of the Bishop of Bristol was subject to an arson attack during the Bristol riots. These took place after the House of Lords rejected the second Reform Bill. The proposal had aimed to get rid of some of the rotten boroughs and give Britain's fast growing industrial towns such as Bristol, Manchester, Birmingham, Bradford and Leeds greater representation in the House of Commons; however there was no rioting in Wells. The water which filled the moat flowed from the springs in the grounds which had previously chosen its own course as a small stream separating the cathedral and the palace and causing marshy ground around the site. The moat acted as a reservoir, controlled by sluice gates, which powered watermills in the town.

The north wing (now the Bishop's House) was added in the 15th century by Bishop Beckington, with further modifications in the 18th century, and in 1810 by Bishop Beadon.] It was restored, divided, and the upper storey added by Benjamin Ferrey between 1846 and 1854. Following the Dissolution of the Monasteries in 1548, Bishop Barlow sold Edward Seymour, 1st Duke of Somerset the palace and grounds. These were recovered after the Duke's execution in 1552.


In the 1550s, Bishop Barlow sold the lead from the roofs of the great hall. It can be seen in an engraving of 1733 but was largely demolished around 1830 by Bishop Law. He created a "more picturesque ruin" by removing the south and east walls and laying out and planting the area previously occupied by the great hall. The palace was used as a garrison for troops in both the English Civil War and Monmouth Rebellion after which it was used as a prison for rebels after the Battle of Sedgemoor.

Bishop Kidder was killed during the Great Storm of 1703, when two chimney stacks in the palace fell on him and his wife, while they were asleep in bed. A central porch was added around 1824 and, in the 1840s and 1850s, Benjamin Ferrey restored the palace and added an upper storey. He also restored the chapel using stained glass from ruined French churches.

In 1953, it was designated as a Grade I listed building. In February 2008, the poet laureate of the United Kingdom, Andrew Motion, was commissioned by the BBC West television programme Inside Out West to write a poem in Harry Patch's honour. Entitled "The Five Acts of Harry Patch" it was first read at a special event at the Bishop's Palace, where it was introduced by the Prince of Wales and received by Harry Patch.



The palace is a two-storey building of seven bays, with three gables over alternating bays, two of which are supported by buttresses. There is an attic beneath the coped gables and surmounted by octagonal chimney stacks. The interior is laid out with a hall, solar and gallery with an undercroft. It has flagstone floors and a 16th-century stone fireplace.

To the right of the building is an aisless chapel in the early Decorated Gothic style of the late 13th century, built of local stone with Doulting Stone dressings. The remains of the 13th century great hall are the north wall and some column bases of an internal arcade, indicating that it was a five bayed aisled hall with crenellations and tall windows in the Decorated Gothic style.




After a quick look about the city shops, we made our way back to the car and back to the caravan site in Berrow Sands.